Dinero Seguro explores the political and poetic dimensions of the body in Elena Gual’s work

In its article on Is Anybody at Home?, Dinero Seguro analyzes how Elena Gual uses female portraiture as a means to reflect on intimacy, silence, and the body. The piece highlights how the depicted figures become spaces of resistance, and how her use of the palette knife takes on a performative meaning. The article presents the show as a dialogue between female subjectivity and a contemporary world marked by overstimulation and emotional disconnection.

Read full article: https://www.dineroseguro.info/culturas/armagalleryelenagual